You can even create a Blu-ray project and burn to DVD or Flash SWF from the Build tab. Dolby Digital sound and automatic transcoding at 15Mb/sec up to 40Mb/sec are also available. But, best of all, the H.264 codec can be used to fit more video onto a disc. But Encore hasn’t changed much in its transition to CS3: the headline feature is support for Blu-ray – and not just MPEG2-based discs. Adobe Premiere Pro es uno de los principales programas de edición para crear vídeos increíbles en un abrir y cerrar de ojos. The beta of OnLocation shows great promise – we’ll bring you a full review once we’ve seen the final code. Edición de vídeos de una calidad siempre superior. This time around, Adobe’s masterstroke is getting Encore and OnLocation CS3 in the box and still charging less than the previous version. We’ve always liked Premiere’s logical video-editing interface, but the spiralling price had made it look poor value compared with Avid Liquid’s excellent built-in DVD authoring. Both load Encore and use it to burn the disc, but where the former automatically takes you through encoding to the prompt for blank media to be inserted, the latter opens the authoring environment. You’re given the choice between a video-only or menu-driven disc. There’s a new Export to Encore option too. The H.264 options include iPod, 3GPP and Sony PSP integrated with Adobe’s Device Central.Īlthough Clip Notes were available in Premiere Pro 2, Adobe has made them much easier to locate as an Export option under the File menu. Portable devices are well catered for too, with Windows Media presets for Zune, Creative Zen Vision and Palm handhelds. You can create Blu-ray-compatible files in both MPEG2 and H.264 formats, with a comprehensive set of presets for either. You can now encode H.264 as well as MPEG1 and 2, plus Flash, QuickTime, RealMedia and Windows Media formats. The Effects portfolio hasn’t changed much since Premiere Pro 2, but the MainConcept-powered Adobe Media Encoder has been considerably improved. ![]() Even more prosaic, but similarly useful, is the ability to open multiple instances of the Project window, making dragging assets between bins much easier than before. Although you could save filter presets and apply these to a new clip, the new facility is much quicker. ![]() You can swap one clip on the timeline for another in the bin, but maintain all filters and editing settings you applied to the original piece of footage. ![]() The control system is simple to understand when you’ve figured out how the two-part keyframes work.Īnother useful new feature is clip replacement: if you regularly reuse old projects but with new media, this will speed up your workflow no end. You can now speed up sections of a clip, freeze frames in the middle, or even make a clip play forwards and backwards, all using a timeline rubber band and a few mouse clicks. One of the main highlights is the Time Remapping ability – something Avid Liquid has had for a while.
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